Category: Star Wars

How breathtakingly beautiful it is

Swiss researches said there are 21,647 characters in the Star Wars Universe Spanning over 36 000 years of history. But the reason I liked Star Wars and loved working on it is because it is breathtakingly beautiful. I would go into the Paris and Pandora databases at ILM to look at concept art for fantastical worlds.. for hours on end. A lot of concept pieces never made it to film but the quality of the art George always demanded was world class.

http://www.sciencealert.com/data-scientists-map-every-important-character-in-the-star-wars-universe

Star Wars Episode 3 Mate Painting
Star Wars Episode 3 Mate Painting by Dusso

The desire for the beautiful is encoded in our DNA, we seek it and we want it. We try to untangle its secrets and repeat its effects. We like how it makes us feel. Otherwise we wouldn’t have beautiful glass panes on our windows so we can see the world outside, we would still be on wooden sticks and huts. But something pushes us to better our surroundings, to create things more beautiful and perfect. That’s what movies give us – a never ending perfection that we can gratify ourselves with over and over. It’s a manufactured bliss.

Richard Miller, my sculpture teacher at Lucasfilm always said – push the clay up, because it comes down anyway.. because of gravity

Richard Miller - my sculpture teacher at Lucasfilm

 

He also designed Princess Leia’s gold bikini costume. And provided a letter of authenticity when the bikini sold at auction.

A letter of authenticity from designer Richard Miller, of the Star Wars creator George Lucas’s special effects firm Industrial Light and Magic, was included in the sale to an anonymous bidder by the Hollywood auctioneer Profiles in History on 2 October.

https://www.theguardian.com/film/2015/oct/05/princess-leia-gold-bikini-return-of-the-jedi-sells-at-star-wars-memorabilia-auction

More Wampa

Star Wars Episode V: The Empire Strikes Back – Wampa Cave production shots. In addition to Jar Jar, the Wampa is one of my favorite creatures in Star Wars. It is mysterious and ferocious.  I love mysterious and ferocious animals, preferably on two legs.

 

 

Star Wars Episode V: The Empire Strikes Back - Wampa Cave production shotStar Wars Episode V: The Empire Strikes Back - Wampa Cave production shotStar Wars Episode V: The Empire Strikes Back - Wampa Cave production shotStar Wars Episode V: The Empire Strikes Back - Wampa Cave production shotStar Wars Episode V: The Empire Strikes Back - Wampa Cave production shotStar Wars Episode V: The Empire Strikes Back - Wampa Cave production shotStar Wars Episode V: The Empire Strikes Back - Wampa Cave production shotStar Wars Episode V: The Empire Strikes Back - Wampa Cave production shotStar Wars Episode V: The Empire Strikes Back - Wampa Cave production shot

 

 

Looking at these odd, crude stalactites, it goes to the genius of George who managed to captivate our imagination with foam on sticks.

The Force Is Back – George talks to Vanity Fair just before the release of The Phantom Menace in FEBRUARY 1999

I know I know but I love The Phantom Menace and despite everyone’s very reasonable objections I will probably see it a few more dozen times and will continue to see it after that well into my 80’s, and I couldn’t care less if George borrowed his themes from the Bible, from the Martians, from Etruscans, from his home town in Modesto or just plain made stuff up to cover up bad acting in between sketchily put together scenes with bad CG. Because artists are put on this earth to steal and forge new memories, new meanings and new myths from the old ones. This is how Picasso made up brand new form of art – he stole everything african art had going for them in terms of weird eyes and noses, longish proportions and fat vanishing fingers.

 

http://www.vanityfair.com/news/1999/02/star-wars

 

Heady and overwrought sentiments to apply to a science-fiction serial, perhaps, but for a considerable chunk of the American population Star Wars is no mere science-fiction serial. In fact, there’s always been something rather flawed and off-key about the traditional adult take on Star Wars, which is that the existing trilogy is not so much an original work as a teched-up assemblage of references: to Flash Gordon, Akira Kurosawa, John Ford,Metropolis, J. R. R. Tolkien, Greek mythology, King Arthur, Triumph of the Will, etc. For those of us who were kids when the first three movies came out—those of us who, presumably, made the trilogy the huge, hulking cultural milestone it is—Star Wars was wholly, mind-blowingly original. We weren’t hip to the Hidden Fortress borrowings or the supposed whiz-bang retro-camp elements that Lucas had worked in; not for us the high-Cahiers musings of Pauline Kael, who wrote, “Lucas has got the tone of bad movies down pat: you never catch the actors deliberately acting badly, they just seem to be bad actors, on contract to Monogram or Republic.” We simply bought the myth—Lucas, that presumptuous geek auteur, had succeeded in his “conscious attempt at creating new myths” for children.